Christian Lapointe<\/strong>, Artistic Director of Th\u00e9\u00e2tre Carte blanche.
\r\nThe announcement was made at the National Arts Centre, a partner of the Siminovitch Prize, in a ceremony hosted by NAC English Theatre Artistic Director Jillian Keiley and Quebec actor Marc B\u00e9land.<\/p>\n\u00ab C\u2019est pour nous un immense honneur d\u2019avoir remport\u00e9 le Prix Siminovitch 2019 \u00bb, notent Maiko Yamamoto et James Long. \u00ab Nous sommes remplis de fiert\u00e9 de former le premier duo de laur\u00e9ats du Prix. Nous nous sentons inspir\u00e9s par ce que cette reconnaissance signale dans le contexte des pratiques actuelles en th\u00e9\u00e2tre au Canada. Nous remercions chaleureusement la famille Siminovitch, le conseil d\u2019administration du Prix, ainsi que les membres du jury pour leur soutien \u00e0 la cr\u00e9ation th\u00e9\u00e2trale. \u00bb<\/p>\n
\u00ab Yamamoto et Long sont de v\u00e9ritables pionniers dans leur domaine; leur influence se fait sentir non seulement dans leur propre communaut\u00e9, \u00e0 Vancouver, mais aussi \u00e0 travers le pays et partout dans le monde \u00bb, souligne Vanessa Porteous, pr\u00e9sidente du jury. \u00ab S\u00e9par\u00e9ment, chacun de ces deux artistes m\u00e9rite notre attention. Cependant, c\u2019est \u00e0 l\u2019excellence de leur travail en \u00e9troite collaboration qu\u2019ils doivent la r\u00e9compense qui leur a \u00e9t\u00e9 accord\u00e9e; la collaboration est au c\u0153ur m\u00eame de leur pratique th\u00e9\u00e2trale. Qui plus est, Yamamoto et Long remettent en question les mani\u00e8res de faire du th\u00e9\u00e2tre \u2013 espaces o\u00f9 il est pr\u00e9sent\u00e9, participants au processus cr\u00e9atif, types de r\u00e9cits mis en sc\u00e8ne et a priori sur ce \u00e0 quoi il devrait ressembler. Leur travail est profond\u00e9ment contemporain et a partie li\u00e9e avec tous les aspects de la vie d\u2019aujourd\u2019hui. Je pense que personne ne fait ce qu\u2019ils font, comme ils le font, ailleurs au pays. Les cr\u00e9ations de Yamamoto et Long ont d\u00e9j\u00e0 eu un impact d\u2019envergure sur la prochaine g\u00e9n\u00e9ration d\u2019artistes et nous avons h\u00e2te de voir \u00e0 quoi ils se consacreront dans l\u2019avenir. \u00bb<\/p>\n
\u00ab Depuis pr\u00e8s de deux d\u00e9cennies, le Prix Siminovitch rend hommage \u00e0 des artistes exceptionnels du monde du th\u00e9\u00e2tre et soutient leur travail de cr\u00e9ation, lequel transforme le paysage du th\u00e9\u00e2tre au Canada \u00bb, note la docteure Kathy Siminovitch, pr\u00e9sidente du conseil du Prix Siminovitch. \u00ab Maiko Yamamoto et James Long repoussent les limites de la mise en sc\u00e8ne et repr\u00e9sentent bien les valeurs cl\u00e9s du Prix Siminovitch que sont l\u2019innovation et l\u2019excellence. Nous nous r\u00e9jouissons que ces deux remarquables metteurs en sc\u00e8ne aient remport\u00e9 le Prix cette ann\u00e9e. \u00bb<\/p>\n
Depuis plus de 20 ans, Maiko Yamamoto et James Long font du th\u00e9\u00e2tre exp\u00e9rimental, interculturel et interdisciplinaire. Qu\u2019ils travaillent ensemble ou s\u00e9par\u00e9ment, ils ont recours \u00e0 des processus de longue haleine pour cr\u00e9er des spectacles \u00e0 partir de d\u00e9buts intentionnellement simples, avec des collaborateurs nouveaux ou non. Leur travail est une authentique recherche de coexistence. Des conversations, des entrevues et des discussions rencontrent l\u2019esth\u00e9tique de Yamamoto et Long pour produire des exp\u00e9riences th\u00e9\u00e2trales authentiques, imm\u00e9diates et pleines d\u2019espoir. Les deux metteurs en sc\u00e8ne ont fond\u00e9 Theatre Replacement en 2003, et les cr\u00e9ations de la compagnie ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans 43 villes et espaces dans le monde.<\/p>\n
En tant qu\u2019artistes ind\u00e9pendants, Yamamoto et Long ont enseign\u00e9, mont\u00e9, \u00e9crit et cr\u00e9\u00e9 des spectacles avec une grande vari\u00e9t\u00e9 de compagnies et d\u2019institutions. Tous deux sont dipl\u00f4m\u00e9s du programme de th\u00e9\u00e2tre de l\u2019\u00c9cole des arts contemporains de l\u2019Universit\u00e9 Simon Fraser. Yamamoto d\u00e9tient en outre une ma\u00eetrise en arts visuels et appliqu\u00e9s de l\u2019Universit\u00e9 Emily Carr, et Long, une ma\u00eetrise en \u00e9tudes urbaines de l\u2019Universit\u00e9 Simon Fraser.<\/p>\n
Les deux metteurs en sc\u00e8ne ont fait de Conor Wylie leur prot\u00e9g\u00e9. Metteur en sc\u00e8ne, artiste, cr\u00e9ateur et auteur, ce dernier fait aussi partie, avec Nancy Tam et Daniel O\u2019Shea, du collectif A Wake of Vultures, d\u00e9di\u00e9 \u00e0 la cr\u00e9ation interdisciplinaire. Actuellement artiste en r\u00e9sidence au Theatre Replacement, Wylie a r\u00e9cemment co-cr\u00e9\u00e9 MINE, spectacle portant sur les relations m\u00e8re-fils faisant appel en direct au jeu vid\u00e9o \u00e0 construction libre Minecraft. Il a aussi \u0153uvr\u00e9 \u00e0 un op\u00e9ra pour espace multim\u00e9dia intitul\u00e9 Visitors from Far Away to the State Machine et \u00e0 un discours programmatique de motivation aux accents satiriques (eatingthegame), tous deux cr\u00e9\u00e9s pour la compagnie d\u2019arts interdisciplinaires Hong Kong Exile. Dipl\u00f4m\u00e9 de l\u2019\u00c9cole des arts contemporains de l\u2019Universit\u00e9 Simon Fraser et laur\u00e9at du prix du maire de la ville de Vancouver accord\u00e9 \u00e0 un artiste \u00e9mergent en th\u00e9\u00e2tre, Wylie se consacre actuellement \u00e0 deux projets, GIRL RIDES BIKE, une course-poursuite \u00e0 moto \u00e0 travers une soci\u00e9t\u00e9 o\u00f9 r\u00e8gne l\u2019abondance, \u00e9crite \u00e0 plusieurs mains et touchant \u00e0 la science-fiction; et K BODY AND MIND, une prestation th\u00e9\u00e2trale minimaliste et \u00e9clat\u00e9e qui cherche \u00e0 s\u00e9parer la dimension auditive de la dimension visuelle dans l\u2019exp\u00e9rience th\u00e9\u00e2trale, cr\u00e9ant ainsi un casse-t\u00eate pour le public, un peu comme le serait une pi\u00e8ce radiophonique se superposant \u00e0 un film muet.<\/p>\n
\u00ab C\u2019est un honneur pour moi de me joindre \u00e0 des artistes aussi marquants et exceptionnels que sont les laur\u00e9ats et prot\u00e9g\u00e9s du Prix Siminovitch, indique Conor Wylie. James Long et Maiko Yamamoto sont mes mentors : leur d\u00e9termination \u00e0 travailler en collaboration est pour moi une source d\u2019inspiration constante. Dans le monde d\u2019aujourd\u2019hui, avec toutes ses incertitudes, il faut avoir du cran pour choisir de partager, de collaborer et de faire confiance \u00e0 son ou sa partenaire. J\u2019esp\u00e8re \u00e0 mon tour avoir l\u2019occasion de partager mon savoir et de renforcer mes capacit\u00e9s en forgeant davantage de relations collaboratives aussi bien au Canada que sur la sc\u00e8ne internationale. \u00bb<\/p>\n
\u00c0 PROPOS DU PRIX SIMINOVITCH<\/h4>\n
Le Prix Siminovitch a \u00e9t\u00e9 lanc\u00e9 en 2000 pour rendre hommage aux valeurs et aux r\u00e9alisations de Lou Siminovitch, scientifique de renom, et de son \u00e9pouse, la regrett\u00e9e dramaturge Elinore Siminovitch, pionni\u00e8re du th\u00e9\u00e2tre canadien. Le Prix, qui soutient les cr\u00e9ateurs du th\u00e9\u00e2tre et reconna\u00eet leur contribution \u00e0 la sc\u00e8ne artistique canadienne, a pour mission de catalyser des exp\u00e9rimentations de toutes sortes et de faire conna\u00eetre de grands artistes du th\u00e9\u00e2tre au pays et \u00e0 l\u2019international.<\/p>\n
Sur un cycle de trois ans, le Prix rend hommage \u00e0 un.e metteur.e en sc\u00e8ne, un.e dramaturge ou un.e sc\u00e9nographe professionnel.le qui est une figure de proue dans le domaine du th\u00e9\u00e2tre, et dont le travail est reconnu pour sa port\u00e9e et son influence. Le Prix Siminovitch en mise en sc\u00e8ne a \u00e9t\u00e9 remis \u00e0 Nadia Ross (2016), Chris Abraham (2013), Kim Collier (2010), Brigitte Haentjens (2007), Jillian Keiley (2004) et Daniel Brooks (2001).<\/p>\n
En 2016, le Prix Siminovitch a amorc\u00e9 un nouveau partenariat avec le Centre national des Arts, qui agit comme catalyseur de la diffusion, de la cr\u00e9ation et de la transmission des savoirs partout au pays. Le Prix ayant en outre pour tradition d\u2019encourager le mentorat, des \u00e9tudiants des volets anglophone et francophone du programme de mise en sc\u00e8ne de l\u2019\u00c9cole nationale de th\u00e9\u00e2tre du Canada assisteront cette ann\u00e9e \u00e0 la c\u00e9r\u00e9monie et participeront \u00e0 des ateliers avec les finalistes.<\/p>\n
Au fil des ans, le CNA a pr\u00e9sent\u00e9 sur ses sc\u00e8nes des \u0153uvres de tous les laur\u00e9ats du Prix Siminovitch, parmi lesquels figurent la directrice artistique du Th\u00e9\u00e2tre fran\u00e7ais du CNA, Brigitte Haentjens, et celle du Th\u00e9\u00e2tre anglais, Jillian Keiley.<\/p>\n
Twitter : @PrixSiminovitch
\nMot-clic : #PrixSiminovitch<\/p>\n
\u00c0 PROPOS DU CNA<\/h4>\n
Le Centre national des Arts (CNA) a ouvert ses portes en 1969. Bilingue et multidisciplinaire, le CNA est un carrefour des plus grands talents cr\u00e9ateurs au pays, et privil\u00e9gie les choix audacieux dans chacun de ses volets de programmation : l\u2019Orchestre du CNA, la Danse, le Th\u00e9\u00e2tre fran\u00e7ais, le Th\u00e9\u00e2tre anglais, le Th\u00e9\u00e2tre autochtone et CNA Pr\u00e9sente. Sa devise, Le Canada en sc\u00e8ne, refl\u00e8te le r\u00f4le national de l\u2019institution, qui collabore avec des artistes et des organisations d\u2019un oc\u00e9an \u00e0 l\u2019autre; sert de catalyseur artistique; investit dans de nouvelles \u0153uvres canadiennes ambitieuses; et cultive les publics et les artistes de la rel\u00e8ve \u00e0 l\u2019\u00e9chelle du pays. Situ\u00e9 sur le territoire non c\u00e9d\u00e9 de la nation algonquine anishinaabe, le CNA est accueillant et accessible \u00e0 tous, et offre au public une grande vari\u00e9t\u00e9 de programmation et d\u2019activit\u00e9s gratuites.<\/p>\n
– 30 –<\/p>\n
POUR TOUS RENSEIGNEMENTS, VEUILLEZ CONTACTER :<\/strong>
\nMary Gordon<\/strong>
\nConseill\u00e8re principale, Communications
\nCentre national des Arts
\n613 947-7000 x 849
\nmary.gordon@nac-cna.ca<\/p>","protected":false},"excerpt":{"rendered":"First time that the Siminovitch Prize is awarded to a team November 21, 2019 \u2013 OTTAWA (Canada) \u2013 Maiko Yamamoto and James Long, long-time collaborators and Artistic Directors of Vancouver\u2019s Theatre Replacement, have been named the 2019 laureates of the Siminovitch Prize, Canada\u2019s most prestigious prize in theatre. It is the first time in the […]<\/p>\n","protected":false},"author":1,"featured_media":15988,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[57],"tags":[],"class_list":["post-15995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"\n
Directors Maiko Yamamoto and James Long win 2019 Siminovitch Prize in Theatre - Siminovitch Theatre Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/siminovitchprize.com\/fr\/directors-maiko-yamamoto-and-james-long-win-2019-siminovitch-prize-in-theatre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Directors Maiko Yamamoto and James Long win 2019 Siminovitch Prize in Theatre - Siminovitch Theatre Foundation\" \/>\n<meta property=\"og:description\" content=\"First time that the Siminovitch Prize is awarded to a team November 21, 2019 \u2013 OTTAWA (Canada) \u2013 Maiko Yamamoto and James Long, long-time collaborators and Artistic Directors of Vancouver\u2019s Theatre Replacement, have been named the 2019 laureates of the Siminovitch Prize, Canada\u2019s most prestigious prize in theatre. 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