{"id":22607,"date":"2007-10-03T20:07:33","date_gmt":"2007-10-04T00:07:33","guid":{"rendered":"http:\/\/siminovitchprize.com\/?p=223"},"modified":"2007-10-03T20:07:33","modified_gmt":"2007-10-04T00:07:33","slug":"four-outstanding-canadian-directors-make-short-list-for-2007-siminovitch-prize-in-theatre","status":"publish","type":"post","link":"https:\/\/siminovitchprize.com\/fr\/four-outstanding-canadian-directors-make-short-list-for-2007-siminovitch-prize-in-theatre\/","title":{"rendered":"Quatre metteurs en sc\u00e8ne canadiens au talent hors du commun sont finalistes pour le Prix Siminovitch de th\u00e9\u00e2tre 2007"},"content":{"rendered":"

Des metteurs en sc\u00e8ne du Qu\u00e9bec, de l\u2019Alberta et de l\u2019Ontario sont dans la course pour l\u2019obtention du prix le plus important dans le domaine du th\u00e9\u00e2tre canadien<\/span><\/p>\n

TORONTO, October 3, 2007 \u2013<\/strong>\u00a0MO Groupe financier, qui parraine le Prix Elinore et Lou Siminovitch de th\u00e9\u00e2tre, a annonc\u00e9 aujourd\u2019hui les noms de quatre metteurs en sc\u00e8ne au talent exceptionnel qui ont \u00e9t\u00e9 plac\u00e9s sur la liste des finalistes pour remporter le prix, d\u2019un montant de 100,000$. Le Prix Siminovitch est le plus important \u00e0 \u00eatre offert dans le milieu du th\u00e9\u00e2tre canadien, et il sera remis \u00e0 Toronto, le 29 octobre 2007.<\/p>\n

Les quatre finalistes ont \u00e9t\u00e9 choisis parmi 26 des meilleurs metteurs en sc\u00e8ne professionnels du Canada ayant \u00e9t\u00e9 mis en nomination. Voici les noms des finalistes :<\/p>\n

Brigitte Haentjens (Montr\u00e9al, QC)
\r\nRon Jenkins (Edmonton, AB)
\r\nAlisa Palmer (Toronto, ON)
\r\nSoheil Parsa (Toronto, ON).<\/p>\n

\u00ab Au nom de BMO Groupe financier, j\u2019aimerais f\u00e9liciter les excellents metteurs en sc\u00e8ne faisant partie de la liste des finalistes pour l\u2019obtention du Prix Siminovitch de th\u00e9\u00e2tre 2007. Le jury a \u00e9tudi\u00e9 les candidatures de nombreuses personnes au talent impressionnant cette ann\u00e9e. Je tiens \u00e0 remercier chacun des jur\u00e9s pour tous leurs efforts au cours des d\u00e9lib\u00e9rations \u00bb, a d\u00e9clar\u00e9 Gilles Ouellette, pr\u00e9sident et chef de la direction, groupe Gestion priv\u00e9e, BMO Groupe financier.<\/p>\n

\u00ab Les quatre metteurs en sc\u00e8ne au talent hors du commun que les membres du jury ont retenus comme finalistes pour l\u2019obtention du Prix Siminovitch de cette ann\u00e9e t\u00e9moignent clairement de la richesse et de la diversit\u00e9 des artistes \u0153uvrant dans le domaine du th\u00e9\u00e2tre au Canada \u00bb, a pour sa part d\u00e9clar\u00e9 Leonard McHardy, pr\u00e9sident du jury, Prix Siminovitch de th\u00e9\u00e2tre. \u00ab Chacun de ces metteurs en sc\u00e8ne poss\u00e8de son propre style, unique et tr\u00e8s personnel, que le jury a choisi afin d\u2019en faire la reconnaissance en l\u2019int\u00e9grant \u00e0 cette impressionnante liste de finalistes. \u00bb<\/p>\n

Outre M. McHardy, les membres du jury sont les suivants : Genevi\u00e8ve Billette, auteure, traductrice et r\u00e9cipiendaire du Prix Siminovitch du prot\u00e9g\u00e9 2002; Katrina Dunn, metteure en sc\u00e8ne et productrice; Valerie Moore, metteure en sc\u00e8ne, chor\u00e9graphe et enseignante; et Carlo Guillermo Proto, metteur en sc\u00e8ne, producteur et \u00e9crivain.<\/p>\n

\u00c0 propos des finalistes<\/h2>\n

\"news_news_26_clip_image002\"<\/a><\/p>\n

<\/a><\/p>\n

Brigitte Haentjens<\/strong>
\nSelon le jury du Prix Siminovitch, \u00ab \u2026Brigitte vit une relation intense et sans tabous avec son public, ce qui inspire son \u0153uvre, l\u2019enrichit, et en constitue l\u2019essence m\u00eame. Son \u0153uvre affiche une grande intensit\u00e9 intellectuelle, qui, associ\u00e9e \u00e0 une collaboration soutenue et de longue date avec les acteurs, se traduit par un th\u00e9\u00e2tre stimulant et des plus \u00e9clectiques. \u00bb<\/p>\n

Brigitte Haentjens est une metteure en sc\u00e8ne de th\u00e9\u00e2tre canadienne. Elle a \u00e9tudi\u00e9 le th\u00e9\u00e2tre \u00e0 Paris, avant de s\u2019installer en Ontario, en 1977, o\u00f9 elle a assur\u00e9 la direction artistique du Th\u00e9\u00e2tre du Nouvel-Ontario durant huit ans. De 1991 \u00e0 1994, elle a \u00e9t\u00e9 directrice artistique de la Nouvelle Compagnie Th\u00e9\u00e2trale, \u00e0 Montr\u00e9al, puis, de 1996 \u00e0 2006, elle a agi en tant que co-directrice artistique du Carrefour International de Th\u00e9\u00e2tre de Qu\u00e9bec. Mme Haentjens dirige \u00e9galement depuis 1977 sa propre compagnie th\u00e9\u00e2trale, Sibyllines, qu\u2019elle a fond\u00e9e pour y approfondir sa d\u00e9marche artistique dans un contexte de plus grande libert\u00e9. Pour Sibyllines, elle travaille actuellement \u00e0 une adaptation de la pi\u00e8ce Blast\u00e9(An\u00e9antis \/ Blasted), de Sarah Kane, traduite par Jean-Marc Dalp\u00e9, mettant en vedette Paul Ahmarani, C\u00e9line Bonnier et Roy Dupuis, et qui doit prendre l\u2019affiche au printemps 2008, de m\u00eame qu\u2019\u00e0 l\u2019\u00e9laboration d\u2019un certain nombre de nouveaux projets.<\/p>\n

<\/a><\/p>\n

\"news_news_26_clip_image004\"<\/a><\/p>\n

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Ron Jenkins<\/strong>
\n\u00ab Tout au long de sa carri\u00e8re, Ron a multipli\u00e9 les efforts en vue de faire conna\u00eetre les dramaturges de l\u2019Ouest canadien \u00e0 l\u2019ensemble du pays \u00bb, a d\u00e9clar\u00e9 le jury. \u00ab Il poss\u00e8de une grande sensibilit\u00e9 sur le plan visuel, et nous sommes tr\u00e8s enthousiastes \u00e0 l\u2019id\u00e9e de ce qu\u2019il pourra apporter au th\u00e9\u00e2tre canadien au cours des ann\u00e9es \u00e0 venir. \u00bb<\/p>\n

Ron Jenkins est un metteur en sc\u00e8ne et producteur canadien, l\u2019un des membres fondateurs du November Theatre. \u00c0 titre de directeur artistique du Workshop West Theatre d\u2019Edmonton, de 2000 \u00e0 2006, M. Jenkins a pr\u00e9sent\u00e9 de nouvelles pi\u00e8ces canadiennes saison apr\u00e8s saison, oeuvrant souvent en tant que dramaturge. Il dirige actuellement une adaptation de la pi\u00e8ce What the Butler Saw, \u00e0 l\u2019universit\u00e9 de l\u2019Alberta. Il dirigera ensuite un spectacle au b\u00e9n\u00e9fice de Ground Zero \u00e0 Calgary, puis il se rendra \u00e0 New York pour travailler \u00e0 la pi\u00e8ce Bash\u2019d, son spectacle Off Broadway qui prendra l\u2019affiche au printemps.<\/p>\n

\"news_news_26_clip_image006\"<\/a><\/p>\n

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Alisa Palmer<\/strong>
\nSelon le jury, \u00ab \u2026l\u2019\u0153uvre d\u2019Alisa sonde les profondeurs du subconscient et de l\u2019imagination, offrant un r\u00e9sultat profond, sombre et th\u00e9\u00e2tral. Son \u0153uvre est en constante progression, et sa vision est claire en mati\u00e8re de direction artistique. Une telle clart\u00e9 ne peut que s\u00e9duire, et, au vu de l\u2019ensemble de son \u0153uvre, elle est souvent prise pour acquise. \u00bb<\/p>\n

Alisa Palmer est une metteure en sc\u00e8ne et dramaturge canadienne. Alisa travaille comme metteure en sc\u00e8ne dans de nombreux th\u00e9\u00e2tres, petits et grands, dans tout le pays, s\u2019effor\u00e7ant essentiellement de porter sur les planches de nouvelles pi\u00e8ces canadiennes. Elle est la cofondatrice et codirectrice de Froth Productions, une compagnie de performances interdisciplinaires dont les spectacles prim\u00e9s ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans des th\u00e9\u00e2tres, des s\u00e9minaires universitaires et des magasins en faillite. Mme Palmer a d\u00e9j\u00e0 fait partie de la liste des finalistes pour l\u2019obtention du Prix Siminovitch, en 2004. Elle travaille actuellement \u00e0 la mise en sc\u00e8ne de la pi\u00e8ce East of Berlin, d\u2019Hannah Moscovitch, au Tarragon Theatre.\u00a0East of Berlin<\/em>\u00a0at the Tarragon Theatre.<\/p>\n

<\/a><\/p>\n

\"news_news_26_clip_image008\"<\/a><\/p>\n

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Soheil Parsa<\/strong>
\n\u00ab Artiste dont l\u2019\u0153uvre est ax\u00e9e sur la collaboration, M. Parsa fait preuve d\u2019un imaginaire incroyablement convaincant, soutenu par un texte d\u2019une grande po\u00e9sie \u00bb, a d\u00e9clar\u00e9 le jury. \u00ab L\u2019\u0153uvre de M. Parsa dans le domaine du th\u00e9\u00e2tre ind\u00e9pendant s\u2019\u00e9tend bien au-del\u00e0 des ressources limit\u00e9es qui sont mises \u00e0 sa disposition. \u00bb<\/p>\n

Soheil Parsa est un metteur en sc\u00e8ne, acteur, \u00e9crivain, dramaturge chor\u00e9graphe et enseignant maintes fois prim\u00e9, dont la carri\u00e8re professionnelle au th\u00e9\u00e2tre s\u2019\u00e9tend sur vingt-neuf ann\u00e9es et deux continents. L\u2019\u0153uvre de M. Parsa s\u2019inspire de son exp\u00e9rience personnelle en Iran, et se concentre sur l\u2019oppression et la perte de libert\u00e9 (en particulier la perte du pouvoir d\u2019expression). Son art donne la parole \u00e0 ceux qui sont souvent marginalis\u00e9s ou sous-repr\u00e9sent\u00e9s. Sa prochaine mise en sc\u00e8ne sera une adaptation de la pi\u00e8ce En attendant Godot, de Beckett, qui sera produite par la Modern Times Stage Company, au Young Centre, au mois de mars 2008.\u00a0Waiting for Godot<\/em>, produced by Modern Times Stage Company at the Young Centre in March 2008.<\/p>\n

<\/a><\/p>\n

Une biographie d\u00e9taill\u00e9e ainsi que des photos de chaque finaliste sont disponibles sur demande.<\/p>\n

Le processus de s\u00e9lection<\/strong>
\nLe jury a \u00e9tudi\u00e9 la candidature de metteurs en sc\u00e8ne professionnels du Canada qui ont permis, gr\u00e2ce \u00e0 leur travail, au th\u00e9\u00e2tre canadien de progresser au cours des derni\u00e8res ann\u00e9es, tout en influen\u00e7ant et en inspirant de plus jeunes artistes de th\u00e9\u00e2tre. Ainsi, au cours des 10 ann\u00e9es pr\u00e9c\u00e9dant leur nomination, les nomin\u00e9s auront contribu\u00e9 de fa\u00e7on significative, sur le plan de la cr\u00e9ativit\u00e9, \u00e0 un minimum de trois projets th\u00e9\u00e2traux d\u2019envergure au Canada. Les jur\u00e9s ont \u00e9valu\u00e9 l\u2019originalit\u00e9 dont ont fait preuve les candidats, leur sens de l\u2019\u00e9volution, la croissance de leur maturit\u00e9, la poursuite de leur exp\u00e9rimentation, de m\u00eame que leur influence sur le public et sur de plus jeunes artistes. Ils se sont \u00e9galement demand\u00e9 si l\u2019artiste mis en nomination \u00e9tait \u00e0 une \u00e9tape de sa carri\u00e8re o\u00f9 la reconnaissance et les ressources associ\u00e9es \u00e0 la remise du prix exerceraient une influence importante, en l\u2019encourageant \u00e0 aller plus loin dans la poursuite de son \u0153uvre.<\/p>\n

\u00c0 propos du Prix Siminovitch<\/strong>
\nLe Prix Siminovitch de th\u00e9\u00e2tre a \u00e9t\u00e9 cr\u00e9\u00e9 en 2001, en hommage au scientifique de renom Lou Siminovitch et \u00e0 feue son \u00e9pouse Elinore, auteure dramatique. Parrain\u00e9 par BMO Groupe financier, le plus important prix annuel r\u00e9compensant les arts du th\u00e9\u00e2tre au Canada souligne les r\u00e9alisations dans les domaines de la mise en sc\u00e8ne, de l\u2019\u00e9criture dramatique et de la sc\u00e9nographie, par rotation et selon des cycles de trois ans. Le tout premier prix, en 2001, a ainsi \u00e9t\u00e9 attribu\u00e9 \u00e0 Daniel Brooks, metteur en sc\u00e8ne de Toronto; en 2002, le prix a \u00e9t\u00e9 remis \u00e0 Carole Fr\u00e9chette, dramaturge de Montr\u00e9al; le prix de 2003 a \u00e9t\u00e9 octroy\u00e9 \u00e0 Louise Campeau, conceptrice de Montr\u00e9al; en 2004, c\u2019est Jillian Keiley, metteure en sc\u00e8ne de St. John\u2019s, qui s\u2019est vue remettre le prix; en 2005, le dramaturge John Mighton, de Toronto, a obtenu le prix; enfin, en 2006, le prix a \u00e9t\u00e9 attribu\u00e9 \u00e0 la conceptrice de d\u00e9cors et de costumes torontoise Dany Lyne. Le r\u00e9cipiendaire re\u00e7oit la somme de 100,000$, de laquelle 25,000$ sont remis \u00e0 un prot\u00e9g\u00e9 ou \u00e0 un organisme de son choix.<\/p>\n

Personne-ressource :\u00a0<\/strong>
\nJoAnne Hayes, Toronto,\u00a0joanne.hayes@bmo.com<\/a>, (416) 867-3996
\nLucie Gosselin, Montreal,\u00a0lucie.gosselin@bmo.com<\/a>, (514) 877-8224
\nLaurie Grant, Vancouver,\u00a0laurie.grant@bmo.com<\/a>, (604) 665-7596<\/p>\n

<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Directors from Alberta, Ontario and Quebec in the Running for Largest Prize in Canadian Theatre TORONTO, October 3, 2007 \u2013\u00a0BMO Financial Group, sponsor of the Elinore & Lou Siminovitch Prize in Theatre, announced today the names of four exceptional Canadian theatre directors who have been placed on the short-list for the $100,000 Prize.\u00a0 The Siminovitch […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[57],"tags":[],"class_list":["post-22607","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"yoast_head":"\nFour Outstanding Canadian Directors Make Short-List for 2007 Siminovitch Prize in Theatre - Siminovitch Theatre Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/siminovitchprize.com\/fr\/four-outstanding-canadian-directors-make-short-list-for-2007-siminovitch-prize-in-theatre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Four Outstanding Canadian Directors Make Short-List for 2007 Siminovitch Prize in Theatre - 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