{"id":26902,"date":"2024-10-03T01:00:38","date_gmt":"2024-10-03T05:00:38","guid":{"rendered":"https:\/\/siminovitchprize.com\/?p=26902"},"modified":"2024-10-03T10:53:00","modified_gmt":"2024-10-03T14:53:00","slug":"meet-the-finalists-for-the-2024-siminovitch-prize","status":"publish","type":"post","link":"https:\/\/siminovitchprize.com\/fr\/meet-the-finalists-for-the-2024-siminovitch-prize\/","title":{"rendered":"Rencontrez les Finalistes Du Prix Siminovitch 2024"},"content":{"rendered":"

Toronto, ON<\/b>- Le Prix Siminovitch, le prix de th\u00e9\u00e2tre le plus pris\u00e9 du Canada, met en vedette des artistes r\u00e9volutionnaires \u00e0 mi-carri\u00e8re qui sont en train de transformer cette forme d\u2019expression artistique.<\/span><\/p>\n

La cuv\u00e9e enthousiasmante de cette ann\u00e9e exhibe des talents exceptionnels, chacun.e repoussant les limites de son m\u00e9tier \u00e0 travers un large \u00e9ventail de disciplines e la conception, allant du son et de la composition, \u00e0 l'\u00e9clairage et l'art de la marionnette. Leurs pairs les ont mis.es en candidature et s\u00e9lectionn\u00e9.e.s en tant qu'artistes d'importance m\u00e9ritant une reconnaissance nationale.<\/span><\/p>\n

Les finalistes du Prix Siminovitch de cette ann\u00e9e sont <\/span>Itai Erdal <\/b>(Vancouver, C.-B.), <\/span>Sonoyo Nishikawa <\/b>(Montr\u00e9al, QC)<\/span>, <\/span>Debashis Sinha<\/b> (Toronto, ON), et<\/span> The Old Trout Puppet Workshop<\/b> (Calgary, AB). <\/span>Le\/La Laur\u00e9at.e \u00e0 mi-carri\u00e8re re\u00e7oit 100 000 $ et s\u00e9lectionne un.e artiste \u00e9mergent.e Prot\u00e9g\u00e9.e qui recevra 25 000 $.<\/span><\/p>\n

\u00ab Les artistes<\/span><\/i>finalistes sont des concepteurs(-trices)<\/span><\/i>exceptionnel.le.s qui se sont mis.es au d\u00e9fi et ont repouss\u00e9 les limites de leur pratique pendant des ann\u00e9es. Ce sont des artistes qui \u00e9coutent profond\u00e9ment, qui plongent dans les complexit\u00e9s, les ambigu\u00eft\u00e9s et les al\u00e9as de l'entreprise th\u00e9\u00e2trale, et qui sont pr\u00eats \u00e0 sonder les profondeurs du processus artistique. Leur travail enrichit toutes les autres composantes de l'entreprise th\u00e9\u00e2trale, extrayant le meilleur de leurs coll\u00e8gues et co-cr\u00e9ateurs. Ils\/Elles ont eu et continueront d'avoir un impact profond sur d'autres artistes et sur les public<\/span><\/i>s.<\/span><\/i>\u00bb <\/span><\/i>– <\/span>Guillermo Verdecchia, pr\u00e9sident du jury du Prix Siminovitch 2024.<\/b><\/p>\n

LES FINALISTES DU PRIX SIMINOVITCH 2024<\/b><\/p>\n

Itai Erdal<\/b> est un concepteur d'\u00e9clairage, \u00e9crivain, interpr\u00e8te de renom, ainsi que le fondateur du Elbow Theatre \u00e0 Vancouver. Ayant con\u00e7u plus de 300 \u00e9clairage pour le th\u00e9\u00e2tre, la danse et l'op\u00e9ra dans plus de 50 villes en Am\u00e9rique du Nord et en Europe, il compte parmi ses collaborateurs des compagnies r\u00e9put\u00e9es telles que le Festival de Stratford, l'Op\u00e9ra de Vancouver et le Club des arts. Itai a re\u00e7u nombreuses distinctions, dont six prix Jessie Richardson, un prix Dora Mavor Moore et le prix Edinburgh Lustrum.<\/span><\/p>\n

\u00ab L'\u00e9clairage peut d\u00e9passer la simple esth\u00e9tique ; il peut \u00eatre le battement de c\u0153ur \u00e9motionnel de la pi\u00e8ce, et cette r\u00e9flexion m'accompagne dans chaque spectacle que je con\u00e7ois. \u00bb <\/span><\/i>- Itai Erdal, finaliste<\/span><\/p>\n

Sonoyo Nishikawa<\/b>conceptrice d'\u00e9clairage originaire du Japon, a \u00e9tudi\u00e9 \u00e0 Londres aupr\u00e8s du minist\u00e8re de l'\u00c9ducation et de la Culture du Japon. Sonoyo a travaill\u00e9 aux c\u00f4t\u00e9s de Robert Lepage sur plusieurs de ses cr\u00e9ations monumentales dont <\/span>Le Songe d'une nuit d'\u00e9t\u00e9<\/span><\/i> et <\/span>Les Sept Branches de la Rivi\u00e8re Ota<\/span><\/i>, pi\u00e8ce pour laquelle elle a remport\u00e9 un prix Dora Mavor Moore. Ses conceptions innovantes lui ont valu de nombreuses distinctions, comme le Prix des meilleurs \u00e9clairages et le Prix Jaques-Pelletier. Parmi ses projets r\u00e9cents, citons <\/span>Les Sept Branches de la Rivi\u00e8re Ota<\/span><\/i> au National Theatre de Londres, <\/span>Once Upon A One More Time<\/span><\/i> sur Broadway et <\/span>Sexual Misconduct of the Middle Classes<\/span><\/i> au Th\u00e9\u00e2tre Centaur.<\/span><\/p>\n

\u00ab La lumi\u00e8re sur sc\u00e8ne s'allume et s'\u00e9teint, puis dispara\u00eet et r\u00e9appara\u00eet, au gr\u00e9 de l'histoire toujours changeante, des mouvements des danseurs, du rythme de la musique et de la respiration du public. C'est aussi \u00e9ph\u00e9m\u00e8re qu'un feu d'artifice. Mais mon objectif est de cr\u00e9er des conceptions d'\u00e9clairage qui donnent au public de l'espoir pour demain, qui leur laissent une vie d'inspiration, tout comme regarder un lever ou un coucher de soleil. <\/span><\/i>\u00a0- Sonoyo Nishikawa, finaliste<\/span><\/p>\n

Debashis Sinha <\/b>st un artiste aux multiples facettes connu pour son travail innovant \u00e0 travers divers m\u00e9dias, y compris les performances audiovisuelles en solo et la musique \u00e9lectronique. L\u2019alliage distinctif de son h\u00e9ritage canado-sud-asiatique, et de son expertise en percussions du monde et en technologie constitue le moteur de son exploration cr\u00e9ative. Prim\u00e9 pour ses contributions en tant que compositeur et concepteur sonore dans le th\u00e9\u00e2tre et la danse, Sinha est laur\u00e9at, entre autres, du Louis Applebaum Composers Award 2023. Il est \u00e9galement un \u00e9ducateur d\u00e9vou\u00e9 et professeur adjoint titulaire \u00e0 la Toronto Metropolitan University.<\/span><\/p>\n

\u00ab Le son, sous toutes ses formes, est mon premier pr\u00e9cepte. Travailler avec le son me r\u00e9v\u00e8le la fa\u00e7on de laquelle nous percevons nos histoires, utilisons nos technologies et r\u00e9inventons nos cultures et nos identit\u00e9s, recherchant un discours qui trouve son \u00e9quilibre entre notre patrimoine et l\u2019actualit\u00e9. Il s'agit d'un conduit \u00e0 travers lequel nous explorons la fa\u00e7on dont nous racontons nos histoires, pr\u00e9sentement et dans le futur. J'ai une curiosit\u00e9 profonde pour les r\u00e9cits qui se trouvent cach\u00e9s dans le son. \u00bb - <\/span><\/i>Debashis Sinha, finaliste<\/span><\/p>\n

The Old Trout Puppet Workshop<\/b> est n\u00e9 d\u2019un humble \u00e9lan de cr\u00e9er des marionnettes tout en vivant de la terre. Initialement pr\u00e9sent\u00e9 \u00e0 un public local de cow-boys et de hutt\u00e9riens, leur succ\u00e8s au High-Performance Rodeo de Calgary a embras\u00e9 une ambition profonde. Au cours des deux derni\u00e8res d\u00e9cennies, ils sont pass\u00e9s de leurs racines rurales \u00e0 une exploitation dynamique \u00e0 Calgary, embauchant de nombreux employ\u00e9s et produisant divers spectacles et \u0153uvres artistiques. Leurs productions ont fait des tourn\u00e9es au Canada, aux \u00c9tats-Unis et en Europe, et ils mettent \u00e9galement leurs talents \u00e0 profit dans une vari\u00e9t\u00e9 de projets cr\u00e9atifs tels que la sculpture, les films et du design pour de grandes institutions.\u00a0\u00a0<\/span><\/p>\n

\u00ab Voir une chose morte respirer comporte une certaine magie qui rejoint notre c\u00f4t\u00e9 primitif, \u00e9lev\u00e9 dans les cavernes \u2013 c'est-\u00e0-dire que, cela suscite de l'\u00e9merveillement ; et c'est l'autre facette de notre philosophie de conception, ce vers quoi nous travaillons: nous sommes \u00e9tablis avec le d\u00e9sir timide d'exhorter la joie, dans la mesure de nos capacit\u00e9s. Le th\u00e9\u00e2tre que nous visons \u00e0 cr\u00e9er est superflu, inutile et exub\u00e9rant, face \u00e0 un monde hivernal. \u00bb <\/span><\/i>– Old Trout Puppet Workshop, Finalist<\/span><\/p>\n

Jury<\/b>\u00a0<\/span><\/p>\n

Le jury est s\u00e9lectionn\u00e9 chaque ann\u00e9e et comprend des artistes de th\u00e9\u00e2tre professionnel.le.s de disciplines et d'horizons vari\u00e9s. Le jury 2024 \u00e9tait compos\u00e9 <\/span>Soheil Parsa<\/b>,<\/span> Jessica Poirier-Chang<\/b>, <\/b>MJ Dandeneau<\/b>,<\/b> Reneltta Arluk<\/b>, <\/b>et du pr\u00e9sident du jury, <\/span>Guillermo Verdecchia.\u00a0<\/b><\/p>\n

\u00c0 PROPOS DU PRIX SIMINOVITCH<\/b><\/p>\n

Le Prix Siminovitch est la distinction de th\u00e9\u00e2tre la plus pris\u00e9e du Canada. Depuis 2001, il offre aux metteurs(-teuses) en sc\u00e8ne, aux dramaturges et aux concepteurs (-trices) innovateurs et influent.e.s \u00e0 mi-carri\u00e8re, une reconnaissance publique ainsi que les ressources financi\u00e8res n\u00e9cessaires \u00e0 la prise des risques cr\u00e9atifs encore plus importants.\u00a0<\/span><\/p>\n

Cette ann\u00e9e, un total de 130 000 $ en prix sera attribu\u00e9 : 75 000 $ au\/\u00e0 la Laur\u00e9at.e du Prix Siminovitch \u00e0 mi-carri\u00e8re, 25 000 $ \u00e0 un.e artiste \u00e9mergent.e, Prot\u00e9g\u00e9.e du choix du\/de la Laur\u00e9at.e, 5 000 $ \u00e0 chacun des trois finalistes et 5 000 $ aux artistes \u00e9mergent.e.s choisi.e.s par les trois finalistes. De plus, les quatre artistes finalistes recevront un profil documentaire de quatre minutes sur leur travail et leur pratique artistique.<\/span><\/p>\n

Nous remercions Power Corporation du Canada, pr\u00e9sentateur de la liste des finalistes du Prix Siminovitch ; leur soutien permet \u00e0 la Fondation de Th\u00e9\u00e2tre Siminovitch non seulement de c\u00e9l\u00e9brer et de sur\u00e9lever les artistes, mais aussi de d\u00e9velopper de nouvelles fa\u00e7ons de rehausser le profil de ces artistes.<\/span><\/p>\n

Le Prix Siminovitch est financ\u00e9 et pr\u00e9sent\u00e9 par la Fondation de Theatre Siminovitch, un organisme de bienfaisance canadien ind\u00e9pendant qui fait avancer le th\u00e9\u00e2tre canadien en investissant dans des artistes innovateurs. Son portefeuille de programmes est soutenu financi\u00e8rement par des particuliers, des fondations et des entreprises partenaires \u00e0 travers le pays.<\/span><\/p>\n

ANNONCE DU\/DE LA LAUR\u00c9AT.E<\/b><\/p>\n

Le 2 d\u00e9cembre 2024, 16 h HP, 19 h HE, 20 h HA<\/b>
\n<\/b>La premi\u00e8re projection des documentaires des finalistes du Prix Siminovitch 2024 aura lieu sur <\/span>https:\/\/siminovitchprize.com\/fr\/<\/span><\/a> 18 h HE, et sera suivi de l'annonce des Laur\u00e9at.e et Prot\u00e9g\u00e9.e du Prix Siminovitch 2024 \u00e0 19 h HE.<\/span><\/p>\n

\u00a0<\/b><\/p>\n

CONTACT POUR LES M\u00c9DIAS:<\/b>
\n<\/b>Ashley Belmet, B-Rebel Communications, <\/span>ashley@b-rebelcommunications.com<\/span><\/a>
\n<\/span>Victoria Laberge, B-Rebel Communications, <\/span>victoria@b-rebelcommunicatiions.com<\/span><\/a><\/p>","protected":false},"excerpt":{"rendered":"

Toronto, ON\u2014The Siminovitch Prize, Canada\u2019s most valuable theatre award, shines a spotlight on groundbreaking mid-career artists who are having a transformative impact on the art form. This year\u2019s thrilling lineup features exceptional talents, each pushing the boundaries of their craft across a wide spectrum of design disciplines\u2014from sound and composition to lighting and puppetry. 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