{"id":29509,"date":"2026-05-11T16:20:54","date_gmt":"2026-05-11T20:20:54","guid":{"rendered":"https:\/\/siminovitchprize.com\/?p=29509"},"modified":"2026-05-12T10:07:08","modified_gmt":"2026-05-12T14:07:08","slug":"emerging-perspectives-mary-lee-picknell","status":"publish","type":"post","link":"https:\/\/siminovitchprize.com\/fr\/emerging-perspectives-mary-lee-picknell\/","title":{"rendered":"Emerging Perspectives: Mary-Lee Picknell"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"29509\" class=\"elementor elementor-29509\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6b34d9ba elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6b34d9ba\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;slideshow&quot;,&quot;background_slideshow_gallery&quot;:[],&quot;background_slideshow_loop&quot;:&quot;yes&quot;,&quot;background_slideshow_slide_duration&quot;:5000,&quot;background_slideshow_slide_transition&quot;:&quot;fade&quot;,&quot;background_slideshow_transition_duration&quot;:500}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-396ef803\" data-id=\"396ef803\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5964bac7 elementor-widget elementor-widget-text-editor\" data-id=\"5964bac7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Actress and playwright <span style=\"color: #e84c20;\"><strong><a style=\"color: #e84c20;\" href=\"https:\/\/siminovitchprize.com\/emerging-artists-grants\/\">Mary-Lee Picknell<\/a><\/strong><\/span> is more than happy to conduct our interview in Franglais, that quintessentially Canadian mash-up of our two official languages. Born, raised, and based in Qu\u00e9bec City, Picknell is fluently bilingual, and more. \u201cI\u2019ve always been a language enthusiast,\u201d she explains. \u201cWhen I was a teenager I used to play Scrabble online with strangers, and make friends in chat groups speaking English.\u201d She studied English in high school and college, followed by German and Spanish \u2013 all this before attending the acting program at the Conservatoire d\u2019art dramatique de Qu\u00e9bec.<\/p><p>Multilingualism even shows up in her writing. The title of her first produced play, <em>Heimat\/Revenir<\/em>, for which she recently won the Prix Litt\u00e9raire de la ville de Qu\u00e9bec, combines the German word for homeland with the French for \u2018to return\u2019 and features language as a plot point: when two strangers on a bus discover they both speak German, one invites the other to his brother\u2019s wedding, where she pretends to be his German girlfriend. \u201cIt became their secret language,\u201d Picknell explains, \u201c\u2026they can switch and nobody understands\u2026 but also for the audience, there are no subtitles, they have their very own intimate world.\u201d<\/p><p>Picknell is drawn to themes of games and role-playing. \u201cThe different parts we play in real life inspire me,\u201d she explains. She offers an example: she spent some time working at the rehab centre where her mother worked, \u201cand I could see my mom acting with her colleagues how she was at work, versus when she was at home.\u201d She\u2019s fascinated by this mutability in the human character. \u201cWhen I was younger, some people used to tell me I was a chameleon \u2026 I thought this meant I had no personality. And now today I&#8217;m like, no, I guess that&#8217;s useful when it comes to writing, you know?\u201d She even has the almost untranslatable French word <em>mouvance<\/em> tattooed on her thigh: movement, influence, ebb and flow.<\/p><p>It\u2019s all connected to being an actor, she figures: a job she\u2019s had for the past sixteen years, though she\u2019s currently taking a break to focus on teaching, and of course writing, via several commissions and for Les H\u00e9bertistes, the independent theatre company she has co-founded with a friend. \u201cWhen I write, I\u2019m acting it in my head. I think we are all acting in real life. This barista right here,\u201d she enthuses, gesturing to her surroundings, \u201cis saying her lines: \u2018Would you like some sugar in your coffee?\u2019 these are lines, you know?\u201d<\/p><p>Picknell is calling in online from a Qu\u00e9bec City coffee shop, steps away from the theatre where <em>Le Petit astronaute<\/em>, a commission from the Th\u00e9\u00e2tre du Trident, is on stage for its first day of technical rehearsals. It\u2019s a spectacle with plenty of literal moving parts, which can be stressful for the team, so even though, as the writer, she doesn\u2019t expect to be called upon much today, she wants to be within reach. As she says, \u201cTout pr\u00e8s, mais pr\u00eate.\u201d Near but ready. Standing by.<\/p><p>Like the other three recipients of a Siminovitch Emerging Artist Grant, Mary-Lee Picknell was selected by a 2025 Finalist, in her case, <strong><span style=\"color: #e84c20;\"><a style=\"color: #e84c20;\" href=\"https:\/\/siminovitchprize.com\/people\/anne-marie-olivier\/\">Anne-Marie Olivier<\/a><\/span><\/strong>, a prominent actor, director, and artistic director, internationally renowned for her documentary-based solo creation work. When Picknell was a third year acting student, deep in self-doubt, she wrote Olivier a fan letter. Over the years since then, they\u2019ve become colleagues and friends. For a project during the pandemic, Picknell was slated to read Olivier\u2019s work to audiences over the phone, and she recalls Olivier herself pulling up on her bike the night before to hand her a signed copy of the script. \u201cShe has so much confidence in the people she loves,\u201d Picknell observes. \u201cI used to be afraid not to be intelligent enough. I\u2019m more of an instinctive and humanist person\u2026 [but] she said no, no, you are a writer, and now I\u2019m starting to be a little bit more confident about myself.\u201d<\/p><p>Siminovitch Finalists and Emerging Artists are encouraged to undertake some form of collaboration during their nomination year. \u201cSo I asked her if she wanted to be my writing mentor, and she was like, \u2018So you think you need that, do you?\u2019 Anne-Marie is so loving, you know. But I was like, \u2018Well yeah, everyone needs that.\u2019 So she said \u2018Sure, sure, I\u2019ll do it, I\u2019ll do it,\u2019 so we\u2019re going to take some time, and she\u2019s going to mentor me.\u201d In fact, the Siminovitch connection has already had an impact. \u201cI guess the way she put me at her side with the Siminovitch was also a way for her to tell me, you\u2026 you matter,\u201d Picknell says. \u201cWhich is not nothing, in my opinion, because she is one of my favourite authors and favourite artists in the province of Quebec.\u201d<\/p><p>She talks a little about the scene in Qu\u00e9bec City, perhaps a less familiar milieu to the rest of Canada than Montreal. Like many theatre artists in the province, Picknell works in both cities, and beyond, but she\u2019s happily settled in Qu\u00e9bec City. \u201c\u2026There\u2019s one theatre school,\u201d she explains, \u201cso it\u2019s pretty special. Most of us had the same teachers, the same formation. There&#8217;s a feeling of community that is very strong.\u201d<\/p><p>As though to illustrate the point, the director of <em>Le Petit astronaute<\/em> has suddenly appeared in the caf\u00e9, signaling to Picknell from off screen with a request to expand on a written image, to cover a set move that\u2019s turning out to be a bigger deal than anticipated. Picknell ponders. Maybe the character could say <em>\u2018Mon char est pogn\u00e9 dans la neige,\u2019<\/em> my car\u2019s stuck in the snow, and then two people could rush over to help push the set piece off stage? She\u2019ll work on it after we sign off.<\/p><p>Plus, \u201cI think maybe she also came over to say thank you for being on call. Voil\u00e0,\u201d she says, grinning and leaning in, \u201cit\u2019s going well.\u201d<\/p><p><em>&#8211; Vanessa Porteous<\/em><\/p><p>\u00a0<\/p><p>\u00a0<\/p><hr \/><p>\u00a0<\/p><p><em><strong>Marie-Lee Picknell<\/strong> is an actor and playwright based in Qu\u00e9bec City. Her first produced work Heimat\/Revenir won the 2026 Prix Litt\u00e9raire de la ville de Qu\u00e9bec. It is the first time a playscript has been nominated, and awarded the prize. Her adaptation of Jean-Paul Eid\u2019s Le Petit Astronaute has its world premiere at the Th\u00e9\u00e2tre du Trident in April\/May 2026. She is currently working on a new play.<\/em><\/p><p><em><strong>Vanessa Porteous<\/strong> is a theatre artist, teaching artist, and writer based in Calgary. From 2018 to 2021 she was Jury Chair for the Siminovitch Prize.<\/em><\/p><p>&#8211;<\/p><p><strong>Photo:<\/strong> <em>&#8220;Heimat-revenir&#8221; produced by Th\u00e9\u00e2tre La Bord\u00e9e (2024), script by Mary-Lee Picknell. Photo by Vincent Champoux.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Actress and playwright Mary-Lee Picknell is more than happy to conduct our interview in Franglais, that quintessentially Canadian mash-up of our two official languages. Born, raised, and based in Qu\u00e9bec City, Picknell is fluently bilingual, and more. \u201cI\u2019ve always been a language enthusiast,\u201d she explains. \u201cWhen I was a teenager I used to play Scrabble [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":29518,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[208,57],"tags":[124,167,168,209,148,147,126],"class_list":["post-29509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-208","category-news","tag-canadian-theatre-artist","tag-contemporary-canadian-theatre","tag-emerging-theatre-artists","tag-quebec-theatre-artists","tag-siminovitch-emerging-artist","tag-siminovitch-prize","tag-siminovitch-prize-emerging-artist"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Emerging Perspectives: Mary-Lee Picknell - Siminovitch Theatre Foundation<\/title>\n<meta name=\"description\" content=\"Mary-Lee Picknell, 2025 Siminovitch Emerging Artist Grant recipient, is an actress and playwright. 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