Bretta Gerecke is a set, costume and lighting designer who is based in Edmonton and London and works internationally. She is the resident designer at Catalyst Theatre where she has designed 16 world premieres which have toured globally including New York, London, Edinburgh and Toronto. Some recent productions include: Allavita (Cirque du Soleil) The Diary of Anne Frank (Stratford Festival), Alice Through the Looking Glass (Stratford Festival), The Magic Flute (Edmonton Opera) and Elephant Wake (Catalyst Theatre).
She is the recipient of over twenty five awards for Set, Lighting and Costume Design; The Enbridge Award for Best Emerging Artist; The Global Women of Vision Award; and Edmonton’s Top 40 Under 40. She has recently illustrated her first children’s book, and she is representing Canada this year in Prague at the Scenography Quadrennial and in Moscow for the exhibit Costume at the Turn of the Century 1990–2015. Bretta designed a summer home on Devil’s Lake, Alberta, is a marathon runner and continues her work as an Archaeological Illustrator. She has a Bachelor degree in Interior Design and a Masters degree in Fine Arts Theatre Design.
Anick La Bissonnière
Following her training as an architect in Switzerland and Montréal, Anick La Bissonnière has created more than a hundred designs for theatre on the major international, Canadian and Montréal stages, and for multiple types of production (theatre, opera, circus, museums, etc.). Anick La Bissonnière has collaborated with dozens of directors, of all ages, generations and styles, including Brigitte Haentjens, André Brassard, Lorraine Pintal, Frédéric Dubois, Matthew Jocelyn, Marie Brassard and Gilles Maheu.
Her work earned her a highly prestigious recognition at the Quadriennale internationale de scénographie in Prague in 2007 and the Critic’s Prize (ACMA Award) in Argentina in 2015. Since 1995, she has taught at most of Montréal’s universities and theatre schools. She has also played a role in the conception and building of scores of performance spaces all across the country.
Her triple journey as scenographer, architect and teacher has placed her in a unique position in the world of contemporary theatre, making her a formidable technician, a gifted communicator, a tireless researcher but especially, a complete, sensitive artist, one with a remarkable creative intelligence.
Trevor Schwellnus is a scenographer, designing sets, lighting, and video with Independent theatre companies in Toronto. He is also Artistic Producer of Aluna Theatre, where he directed and designed What I learned from a decade of fear and Nohayquiensepa, and he designed Blood Wedding, La Comunión, Madre, and For Sale. He produces the panamerican ROUTES | RUTAS panamericanas International Festival of Performance for Human Rights, and in 2013 he curated Harbourfront’s HATCH series of emerging performance.
Other collaborators include Modern Times (The Sheep and the Whale, Waiting for Godot, Hallaj), Obsidian Theatre (Shakespeare’s Nigga, Born Ready / Pusha Man), Ame Henderson (/dance/songs/, 300 Tapes, Relay), Unpsun Theatre (Minotaur, The Speedy), Small Wooden Shoe (Dedicated to the Revolutions, Antigone Dead People), Evan Webber and Frank CoxO’Connell (Ajax & Little Iliad), The Theatre Centre, Jumblies, Fixtpoint, Buddies in Bad Times, Independent Aunties, Liza Balkan, Susie Burpee, MarieJosée Chartier, and others. He has 5 Dora Awards from 14 nominations.
Nancy Tobin is a sound artist and designer for theatre productions. Her collaborations have been presented in Canada and internationally for nearly twentyfive years. Amongst others, she has worked with directors Denis Marleau (Les Aveugles, Quelqu’un va venir, Intérieur, Les Reines, Othello) and François Girard (Le Procès, Novecento). She also has collaborated with choreographer Danièle Desnoyers (Concerto Grosso pour corps et instruments, Duos pour corps et instruments).
Nancy Tobin specializes in vocal amplification specifically for theatre and has developed a unique style using unusual audio speakers to transform the sound qualities of her creations. She regularly speaks about her work in conferences in Canada, the United States and Europe. She teaches sound design at UQAM’s École supérieure de théâtre.