Emerging Artists
Grants
Image: Name, Title, Description
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Our grants help mentees tap into the knowledge and experience of leading theatre artists and to learn faster than on their own.
Emerging Artists Grants
Selection Process
Beginning in 2023, each of the Siminovitch Prize finalists will have the chance to uplift the career of an emerging artist who they think shows great potential.
Each finalist will select an Emerging Artist to receive a $5,000 grant and national profile through the Siminovitch Prize network. An additional $2,000 will be available to each pair of artists to support their mutual learning and collaboration expenses.
Emerging Artists must be:
> A theatre artist in the first few years of their career.
> Creating work that’s making a contribution to Canadian theatre.
> Earning their primary income from their artistic work.
It’s not required that the finalist have an existing relationship with the emerging artist they select.
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Uplifting Groundbreaking Artists
Public recognition and financial resources allow artists to continue to evolve Canadian theatre in new and exciting ways.
Image: Michelle Ramsay, production meeting

Enabling Mentorship and Collaboration
Mentorship helps artists broaden their horizons, build their confidence, and learn faster than they would on their own.



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Staff & Directors

Dasha Plett
Emerging Artist (Selected by Debashis Sinha)
Dasha Plett is a Winnipeg-based artist and transsexual working with performance, sound, and video. Highlights include performances for Cluster Festival, Nuit Blanche, Young Lungs Dance Exchange, Art Holm, WNDX Festival (where her performance Etudes for Keyboard received Best New Prairie Work), and send+receive (where she opened for internationally-renowned computer musician Carl Stone). As a sound designer and composer she has worked with the Buddies in Bad Times, Stratford Festival, Royal Manitoba Theatre Centre, Prairie Theatre Exchange, Cercle Molière, Theatre Projects Manitoba, Mammalian Diving Reflex, OneTrunk Theatre, Frances Koncan, Waawaate Fobister, Debbie Patterson, and Alexandra Elliot. Dasha is also one half of We Quit Theatre, a performance collective with Gislina Patterson that has toured nationally to Buddies in Bad Times, PushOFF, OFFTA, SummerWorks, LOMAA, Théâtre Catapulte, and Stratfest@Home. She is a proud member of IATSE local ADC659. Visit Dasha online at www.princessdasha.com.

Hina Nishioka
Emerging Artist (Selected by Itai Erdal)
Hina is a Japanese Canadian lighting designer based in Metro Vancouver. She majorly designs lighting for theatre and dance, but she has designed for music and corporate events in recent years. Her selected lighting design credits include As You Like It (Grand Theatre; original lighting by Gerald King), Comedy of Errors, Measure for Measure (Bard on the Beach HFS Studio), Yaga (Touchstone Theatre), The Musical SpongeBob (Capilano University), and Wabi Sabi (Kokoro Dance; original lighting by Gerald King) which she received 2022 Vancouver International Dance Festival Larisa Fayad Memorial Award. She has apprenticed and assisted several established lighting designers around Vancouver at the companies such as Bard on the Beach, Vancouver Opera, Vancouver Asian Canadian Theatre, Arts Club, and Theatre Replacement. She holds BFA in theatre with specialized in lighting design and production and management from University of Victoria.

Lane Shordee
Emerging Artist (Selected by The Old Trout Puppet Workshop)
Lane Shordee is an artist based in Calgary/Mohkinstsis on Treaty 7 territory. He holds a BFA in drawing from the Alberta University of the Arts (2010). He is currently a Master of Fine Arts student in set design at the University of Calgary.
In his theatre, sculpture, and public artworks, Lane employs reclaimed and repurposed materials to investigate the fields of urban ecology and economics. Notable projects include: Lead artist on The Wandering Island, a public art project located on Elbow Island in collaboration with Caitlind rc Brown and Wayne Garrett alongside The City of Calgary. Set Design for Undressed at Alberta Theatre Projects, written and performed by Louise Casemore. Puppet builder for The Ghost Opera, created by The Old Trout Puppet Workshop in co-production with Calgary Opera and Banff Centre for the Arts. Set designer/builder for Mudfoot Theatre, a company that creates humble magic and sustainable theatre practices.
For more information visit: laneshordee.com

Caroline Belisle
Emerging Artist (Selected by Mishka Lavigne)
Caroline Bélisle est une comédienne, autrice dramatique et féministe ben ben fâchée œuvrant principalement dans la région de Moncton, au Nouveau-Brunswick. Diplômée du programme d’Écriture dramatique de l’École nationale de théâtre du Canada en 2020, elle a également complété la formation en interprétation de l’Université de Moncton quelques années auparavant. Elle remporte le prestigieux prix Gratien-Gélinas pour Les remugles ou La danse nuptiale est une langue morte, texte également finaliste aux prix littéraires du Gouverneur Général et Antonine-Maillet-Acadie-Vie et traduite en allemand par Frank Weigand (Der Gestank der Welt). Ses œuvres sont produites par le Théâtre l’Escaouette, Satellite Théâtre, le Théâtre Populaire d’Acadie, le Pays de la Sagouine et le Théâtre des Béloufilles. Comme comédienne, on a pu la voir récemment dans son texte Les remugles, Un. Deux. Trois., de Mani Soleymanlou et dans la télésérie Garde partagée. Elle publie aux Éditions Perce-Neige ainsi que chez Bouton d’or d’Acadie.

daniel jelani ellis
Emerging Artist (Selected by d’bi.young anitafrika)
Greetings! My name is daniel jelani ellis and I'm a multidisciplinary artist from Jamaica working in performance-installation, playwriting, dub poetry, and acting. My artistic practice is Afrocentric and celebratory. I'm especially passionate about arts-based community organizing for social justice. As a Black queer immigrant, I'm committed to celebrating those of us who live within the margins. I'm a graduate of the English Acting program at the National Theatre School of Canada. I work as the Artistic Associate for Obsidian Theatre Company. I also steer ad-hoc entity Groundwork Redux - an ever-evolving gathering of artists and projects - creating original art, performance, and community activations. Groundwork Redux recently presented my acclaimed solo work speaking of sneaking as the season opener at Buddies in Bad Times Theatre. www.groundworkredux.co

Sashoya Simpson
Emerging Artist (Selected by d’bi.young anitafrika)
Sashoya Simpson is a Jamaican-born storyteller whose wings have been nurtured within the arms of elders and young ones who mentor her directly and indirectly. Her artistic work embodies Caribbean folklore knowledge and cultural practices through theatre performance, storytelling and literary art. The stories she tells are for her nieces, nephews and future children to see themselves being represented and to keep traditions alive. Her stage play, Lulu, is currently in development and her Picture Book stories, The Instrument Maker and Kimone’s Music have both been recently shortlisted for the CANSCAIP Writing for Children Competition.
“I speak so it can be heard.
I create so it can be seen.
I teach so it can be passed on.”

Nicole Smith
Emerging Artist (Selected by Berni Stapleton)
Nicole Leona Smith is a writer, theatre creator, director, and producer, who splits her time between her homes in Cambridge, Ontario and St. John’s, Newfoundland. Her work as a playwright has been supported by the Canada Council for the Arts, the Ontario Arts Council, the Shaw Festival, Green Light Arts, and Canadian Stage. She is co-Artistic Director of the Grand Falls-Windsor Theatre Project, in Grand Falls-Windsor, Newfoundland, and founding Artistic Producer of Sonderlust, a theatre collective dedicated to the creation of original work and the staging of women's stories. As someone whose mentors have shaped her every approach, Nicole is devoted to making and holding space for new creators of all ages, and her work is most often collaborative. She wants to tell and platform stories that aim to reach beyond an echo chamber. To be recognized in this way by Bernardine Stapleton and the Siminovitch Foundation is an honour.
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The Artist's Eye
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