Philippe Boutin

Protégé, 2022

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Biography

An actor, writer and director, Philippe has made a name for himself as a creator to watch right from his first ambitious plays, such as Détruire, nous allons, a large-scale production bringing together 40 actors on a football pitch, and Le Vin herbé (winner of the 2016 Opus Discovery of the Year Award), an epic opera-theatre piece featuring nearly 70 performers on stage, presented at Arsenal Montréal. In 2018, he founded Empire Panique, a company that produced his flagship production The Rise of the BlingBling – Le Diptyque, a mystical pop reinterpretation centred on the figure of Jesus Christ, which premiered at Usine C, the National Arts Centre and Le Diamant in 2025. In 2026, he directed Eric Vega’s Pas fout’mind at the Théâtre du Quat’Sous, a critically acclaimed success.

Last Updated August 2026

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Acceptance Speech

I would like to thank Marie Brassard for championing my artistic approach and for gifting me this huge dose of courage.

Marie
You who continually seek, risk, try to sketch new ways of doing things, new ways of saying things.

You who have been practicing creation for so many years, playing with form, revealing such curiosity and boldness through your approach, know that it is a truly great privilege to be your protege.

You exemplify success for me, since success, for me, means seeing one’s ideas through to the end. Whatever the pitfalls, you constantly strive to emancipate yourself.

Thank you, Marie. You inspire me and help me to believe in my crazy ideas.

As an artist, I am interested in excess; in epic and multidisciplinary forms.

In 2013, my first play, Détruire, nous allons, was performed on a football field, with about thirty actors.

In 2016, we orchestrated Vin Herbé, a gigantic pop opera-theatre piece, carried by more than 70 artists in a contemporary art museum.

And most recently, in 2022, we created The Rise of the BlingBling, at Usine C; a piece that dives into the heart of a tragic and funny, completely surrealistic reinterpretation of the Jesus figure.

I’ve always viewed my creations as a party.

An ephemeral theatrical celebration, in which delight plays an essential part.

I picture theatre as a sport, a playground, where you have to give your all, passionately, body and soul, leaving nothing behind. And it is important to say that these wildest of dreams, these so-called “unreasonable” shows would never have been possible without the extreme generosity of the artists around me.

I would like to thank all the collaborators, with whom I have been creating for nearly 10 years, from the bottom of my heart.

Without you, there are no projects. Thanks again, friends.

Thanks to my family, for the love. Thank you for always believing in me, for giving me everything. I owe my emancipation to you.

And finally, a huge thanks to the RBC for supporting this prize and emerging artists who are trying to push the boundaries, who dare to try new things, questioning the art form. Your generosity is a big boost.

Long life to you and to your approach, Marie!

Long live the Siminovitch Prize and the people who make it all possible!

Long live the theater!

Thank you! Thank you, have a good evening!

Protégé, 2022, Selected by Marie Brassard

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